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I feel irresistibly drawn to spirals and concentric circles. It’s one of those obsessions you can’t quite decipher, and I keep asking myself, why am I so obsessed with them?

I’ve always been curious about the mysteries of life and existence (don’t we all?), driven to explore deeper truths. Maybe I’m hardwired to ask the big questions. No wonder I’m drawn to anything mysterious, esoteric, shamanic, metaphysical, philosophical.

Full story now live on PAULA BOSCO STUDIO SUBSTACK

THIS WEEK ON MY SUBSTACK: How do we move forward in a world that has forgotten the Earth is alive?

Today, on Pachamama Day, I return to the wisdom of the Andean peoples. Wisdom rooted in reciprocity, reverence, and deep listening.
In a time of ecological crisis and spiritual disconnection, it’s about learning how to move forward differently. The Earth doesn’t need saving. We need remembering. Full story now live on PAULA BOSCO STUDIO SUBSTACK 

Thrilled to be part of Terra Ancestral, a powerful online group exhibition curated by Sage Culture Gallery (Los Angeles),

reflecting on Earth as a sentient, ancestral force - and exploring our evolving relationship with nature through contemporary art.

Featured works by Paula Bosco, Álvaro Negro, John Pule, Saad Qureshi, Mitch Iburg, Carlos Vera, and Lemos & Lehmann.

Sage Culture presents Terra Ancestral, an online exhibition that envisions the Earth as a sentient, ancestral force whose natural processes are increasingly stressed by unsustainable resource exploitation in our current era. Current pressures now raise questions about our legacy on both climate and civilization, challenging the shift from the symbiotic relationships that Indigenous peoples maintained with nature to a less harmonious approach that has disrupted cultural orders and contributed to significant environmental and societal challenges.

Terra Ancestral reclaims Earth’s primordial, dynamic wisdom—a force revered by ancient cultures as a living, sacred presence. Reflecting humanity’s evolving relationship with nature, it underscores the Gallery’s commitment to environmental awareness and cross-cultural dialogue.

On view from March 13 → May 17, 2025
Catalogue available at https://sageculture.com/ 

→ For more information, please contact the gallery at info@sageculture.com.
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Editorial Design by Sage Culture
Additional Photography & Images courtesy of Sage Culture

A few days ago marked the birthday of Ana Mendieta, a visionary Cuban-American artist whose work resonates deeply with me. Today, I honor Ana Mendieta by sharing her story and celebrating the works that have profoundly moved me. Her art not only bridges the material and spiritual worlds but also challenges us to reexamine our relationship with the earth and with each other.

Full story now live on PAULA BOSCO STUDIO SUBSTACK 

© The Estate of Ana Mendieta Collection, LLC, vía Galerie Lelong & Co.v

The Fondation Cartier in Paris is currently celebrating the extraordinary career of Olga de Amaral, a pioneering Colombian artist who has redefined the possibilities of textile art. This retrospective highlights Amaral’s innovative approach to weaving and her ability to transform materials like linen, horsehair, gesso, gold leaf, and palladium into monumental, sculptural works that transcend traditional boundaries. Spanning over six decades, the exhibition explores nearly 80 pieces that reflect her mastery of color, texture, and form, as well as her deep connection to Colombia’s cultural heritage and pre-Columbian traditions.

Exhibition view © Olga de Amaral - Picture © Marc Domage

As a Latin American artist and woman working with textiles, Olga de Amaral’s story resonates deeply with me. Her journey mirrors the challenges many of us face in a medium often dismissed as craft or decorative. Yet, Olga shattered these perceptions, elevating textiles into the realm of fine art and inspiring generations of artists, including myself.

Her layered creations evoke geological strata or abstract maps, drawing from Colombia’s landscapes and cultural memory while remaining boldly contemporary. This duality—the ability to honor tradition while pushing creative boundaries—is profoundly inspiring. It reminds me that as artists, our work is more than creation; it is an act of preserving and transforming the stories, traditions, and landscapes that shape us.

Exhibition view © Olga de Amaral - Picture © Arts in the City

Amaral’s pivotal role in the Fiber Art movement challenged the status quo, breaking free from the constraints of "women’s work" and positioning textiles as a legitimate and bold art form. Her work defies categorization, standing alongside the avant-garde contributions of contemporaries like Magdalena Abakanowicz and Sheila Hicks. By foregrounding textile art’s ties to feminist and emancipatory movements, Amaral showed the world the power of weaving—not just as a physical act, but as a metaphor for connection, resilience, and transformation.

Exhibition view © Olga de Amaral - Picture © Arts in the City

For me, Olga de Amaral represents what it means to persevere and create against all odds. Her work is a space for contemplation and rebellion, where every thread resonates with individuality and as part of a greater whole. Through her art, she has not only transformed textiles but has also given women in the arts a legacy of boldness and possibility.

This exhibition is a tribute to her enduring impact and a reminder of the limitless potential of our medium. Olga de Amaral’s story is one of beauty, strength, and transformation—a beacon for Latin American artists and women in the art world.

Olga de Amaral at Casa Amaral, Bogotá, Colombia, 2005

'Shaping Legacy: Mid-Century Craftsmanship and Contemporary Art from Latin America.'

From 19th - 23rd of September, I had the incredible opportunity to exhibit my works at Art Athina 2024, represented by  Bombyx Showroom.

Exhibiting alongside notable designers and artists, such as the legendary Clara Porset, Brazilian furniture designer Percival Lafer, furniture designer Michael Van Beuren, Brazilian architect and designer Jorge Zalszupin and contemporary Brazilian artist Domingos Tótoras was a momentous experience. 

 Image: Dionisis Andrianopoulos

 Image: Dionisis Andrianopoulos

The curated selection of works explored how the legacy of craftsmanship, particularly from Latin America, continues to shape contemporary design and art today.

It was such a meaningful experience to see my work alongside these iconic names. Proud and grateful to contribute my perspective on connecting heritage with modern creativity.

 Image: Dionisis Andrianopoulos

I’m immensely grateful to Bombyx Showroom for their thoughtful curation and for providing a platform to amplify Latin American artistry within the European art scene. 

The past week I visited the incredible exhibition  'Magdalena Abakanowicz: Every Tangle of Thread and Rope' at the Tate Modern. Being a textiles lover and texture fiend myself, the sheer scale of Abakanowicz pieces alongside the details that her pieces reveal had got me staring at each artwork in a complete state of awe. My eyes just couldn't get enough and I tried absorbing as much of the textures as possible.

Full story now live on  PAULA BOSCO STUDIO SUBSTACK

Visual diary from a 2 week artist residency I took part in at Joya AiR in Spain couple weeks ago. Spent time soaking up the peace and beauty of this incredible place, allowing myself the time for grounding, exploring, creating. Just observing and simply being. Met some wonderful talented humans, exchanged experiences, enjoyed delicious food.
Thanks Simon and Donna for being such incredible and warm hosts. I can't wait to be there again.

Joya: AiR is a not for profit arts residency in Spain developed by artists for artists of every conceivable discipline. 

The Joya: residency is based at Los Gázquez, five beautifully restored farm houses made into one off-grid sustainably minded destination within a place of outstanding natural beauty, the Parque Natural Sierra María - Los Vélez, Andalucía, Spain.

So much majesty manifested at Serrania del Hornocal, one of the wonders of the province of Jujuy, in my immensely beautiful Argentina. It makes my heart race, feel incredibly inspired and a bit closer to my home country.

This spectacular limestone formation offers a symphony of colours on the mountainside and some say, reaches the 33 shades ranging from ocher, green, yellow, and even white. These strata were underground for thousands of years. One of the most famous viewpoints of this mountainous area is about 25 kilometers along Provincial Route 73, from the city of Humahuaca. 

It only takes about 40 minutes drive in a normal car -with care-, to a viewpoint facing the hill. It's prettiest from 4pm onward, when the western sun brings out vivid hues and you will experience a silent and majestic spectacle.  At that time, we can imagine the grandeur of these landscapes in the time still lived the Incas.

It is a landscape that calls to be contemplated, to stand in front of him for a moment or for a long time in which we would feel insignificant in contrast to its magnificence.

I’m really looking forward to visiting Argentina soon and being able to admire El Hornocal in the flesh.

Nemonte Nenquimo, a leader of the Waorani tribe in the Ecuadorian Amazon, has committed herself to defending her ancestral territory, ecosystem, culture, economy, and way of life. 

She is the first female president of the Waorani of Pastaza (CONCONAWEP) and co-founder of the Indigenous-led nonprofit organization Ceibo Alliance.

In 2020, she was named in the Time 100 list of the 100 most influential people in the world, the only Indigenous woman on the list and the second Ecuadorian to ever be named in its history. In recognition of her work, in 2020 the United Nations Environment Programme gave her the "Champions of the Earth" award in the category Inspiration and Action. She was also on the list of the BBC's 100 Women announced on 23 November 2020. In 2020, Nenquimo was one of six environmental leaders to be awarded the Goldman Environmental Prize.

"This is my message to the western world – your civilisation is killing life on Earth."

"You are probably not used to an Indigenous woman calling you ignorant and, less so, on a platform such as this. But for Indigenous peoples it is clear: the less you know about something, the less value it has to you, and the easier it is to destroy. And by easy, I mean: guiltlessly, remorselessly, foolishly, even righteously. And this is exactly what you are doing to us as Indigenous peoples, to our rainforest territories, and ultimately to our planet’s climate.

It took us thousands of years to get to know the Amazon rainforest. To understand her ways, her secrets, to learn how to survive and thrive with her. And for my people, the Waorani, we have only known you for 70 years (we were “contacted” in the 1950s by American evangelical missionaries), but we are fast learners, and you are not as complex as the rainforest."

Indigenous peoples hold the solutions and wisdom needed to solve our climate crisis. But as Nemonte says, “We can’t do this alone. I would like the world to take action in this struggle. Don’t expect Indigenous peoples to do this on our own. We need everyone to join with us to protect the Amazon. If we all unite, we can change the future for the next generations”.

That’s where people power comes in. It’s going to take a global movement to provide the backing that Indigenous peoples need to succeed in protecting life-sustaining ecosystems against billion-dollar industries, governments, and financial institutions that are hell-bent on profit over life. And it’s going to take each and every one of us to do our part, no matter how big or small, to turn the tide on the climate crisis. Only by banding together between peoples from all walks of life, can we put into practice “respect for Mother Earth”, as Nemonte says, which is the starting point for solving our planetary crisis.

How can we – people raised in the cities of western civilization – best support the struggles of indigenous peoples?

Support frontlines Indigenous communities by donating to the Amazon Frontlines, a non-governmental organization (N.G.O.) that works with the Waorani and other indigenous groups on sovereignty and environmental issues.

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